Lascaux Tusche Soft Ground Effect – For Autographic Positives – 500 ml

€37.99
In stock
SKU
31101655

Lascaux Tusche Soft Ground Effect is a special tusche formulated to create transferred textures and imprint effects when producing autographic positives. Inspired by traditional soft ground printmaking, it allows the capture of textures from fabrics, papers and organic materials through direct contact and pressure.

It is particularly suitable for screen printing, lithography, photogravure and experimental photomechanical processes, when a tactile, organic graphic language is desired.

What Is Lascaux Tusche Soft Ground Effect

Lascaux Tusche Soft Ground Effect is a water-based tusche designed to replicate the principle of traditional soft ground, applied to the creation of autographic positives. Its formulation allows the treated surface to remain slightly receptive for a controlled period, enabling texture transfer through contact and pressure.

This product acts as a bridge between classical printmaking techniques and contemporary photomechanical workflows, significantly expanding the graphic vocabulary of hand-made positives.

How Soft Ground Effect Behaves: Transfer and Texture

Temporarily receptive surface

After application, the tusche creates a sensitive layer that accepts imprints before fully drying.

Contact-based texture transfer

It allows the capture of:

  • fabrics

  • textured papers

  • leaves

  • meshes

  • organic objects

using hand pressure or a roller, creating direct imprints on the positive.

Rich and organic texture

Transferred textures retain irregularities, voids and tonal variations that add depth and graphic character.

Combination with other Tusches

It can be combined with:

  • Tusche Wash (washes)

  • Tusche Wash Spray (atmospheres)

  • Tusche Waterproof (stable resists)

  • Tusche Water-Soluble (post-intervention)

to create complex, layered positives.

Main Applications

  • Screen printing positives: transferred textures, organic backgrounds, imprints and hand-made patterns.

  • Lithography and related techniques: reinterpretation of classic soft ground effects within photomechanical workflows.

  • Photogravure and photopolymer: plates with tactile texture and tonal variation.

  • Artistic offset and zincography: incorporation of physical imprints into autographic drawing.

  • Creative cyanotype: positives with organic imprints and material presence.

  • Experimental techniques: transfer of unconventional materials.

Advantages Over Other Photolith Solutions

Compared to digital textures

Imprints are real, physical and unique—not simulated through filters or halftones.

Compared to direct drawing

Allows the inclusion of external materials beyond the artist’s gesture, expanding graphic language.

Compared to traditional soft ground methods

Avoids the use of greasy waxes or varnishes and integrates directly into photomechanical workflows.

How to Use Lascaux Tusche Soft Ground Effect

1. Apply the tusche onto the transparent support

Recommended:

  • matte polyester film for printmaking

  • drafting film

  • technical acetate

Apply an even layer using a soft brush or roller.

2. Allow to air-dry slightly

Wait until the surface is receptive but not fully dry.

3. Place the material to be transferred

Position fabrics, papers or objects onto the treated surface.

4. Apply pressure or roll

Use hand pressure or a roller to transfer the texture.

5. Remove the material and allow to dry

The imprint remains registered on the positive.

6. Expose

Carry out exposure tests according to the density of the transferred texture.

Practical Video Demonstration

Below you can watch a practical demonstration of Lascaux Tusche Soft Ground Effect by artist and printmaker John McGowan, showing how to transfer textures and combine them with other Tusches in manual photomechanical workflows.

Technical Tips Based on Practical Tests

  • Test different air-drying times to vary texture definition.

  • Use materials with strong relief for clearer transfers.

  • Combine with Tusche Waterproof to fix resists before or after transfer.

  • Best suited for medium to large formats.

Frequently Asked Questions

Does it replace traditional soft ground printmaking?

No, but it adapts the principle to photomechanical processes with greater cleanliness and control.

Can I transfer any material?

Many materials work well, but preliminary testing is recommended.

Will the texture reproduce accurately on the screen or plate?

Yes, provided exposure time is correctly adjusted.

Is the effect reversible?

Not once dry, although it can be modified by combining with other Tusches.

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